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great plume of smoke billows across the field, hugging the
hawthorn hedge before rising into the Dorset sky. It was here,
in the heart of Wessex, that Thomas Hardy set The Woodlanders,
a classic tale of love and rural rivalry played out in a landscape
of ancient trees and apple orchards. Jim BettIe, a modern
woodlander, rolls a cigarette and turns towards his battered
blue van. It has been a long day. Three tonnes of wood have
been chopped, and two giant charcoal kilns have been filled,
set alight and sealed. The smoke disappears into the dusk
as Jim clambers into the driving seat. Time to deliver some
bags of charcoal, have a pint at the local pub and then go
to bed. Tomorrow he'll be back at dawn. A pheasant scuttles
across the path as the van trundles down into the vale and
onto the main road.
This is Jim's sixth
season as a charcoal burner. He's one of about 300 woodlanders
across Britain keeping alive a rural tradition that is thousands
of years old. It's a difficult life, but long hours at the
mercy of the elements are slowly starting to payoff. 'I'd
appreciate it if you don't reveal the exact location when
you write your story,' Jim tells me. 'I like it here. It's
one of the most beautiful parts of southern England and I've
built up a good relationship with the owner of the estate.
I don't think he would appreciate a horde of visitors tramping
through his woods to see what is going on.'
Britain's barbecues
burn 60,000 tonnes of charcoal a year. But almost nine out
of every 10 bags of charcoal are imported. It takes seven
tonnes of wood to make one tonne of charcoal, so 420,000 tonnes
of timber are needed to produce those 60,000tonnes and much
of it comes from environmentally sensitive areas or endangered
forests in West Africa and South America.
British
charcoal burners are fighting back. Our charcoal may be more
expensive, but it has its advantages. It relies on good woodland
management and therefore comes at a cheaper environmental
cost, and it burns cleaner and longer than imported charcoal
because it is denser. It is also ready to cook on in 15 minutes
and does away with the need for firelighters or lighter fuel.
Charcoal
comes from coppiced woodland. Young woodland species such
as oak, ash, hazel and chestnut are harvested to give the
higher canopy a better chance of maturing. The cleared wood
is stacked, left for a year to season and then packed into
kilns. Each kiln holds one and a half tonnes of wood. Once
full, it is set alight and left to burn for 10-16 hours until
the wood inside is carbonised. A series of eight vents around
the base of the kiln control the air flow. These are opened
and closed to regulate the burn so all the wood carbonises
evenly, whatever the direction of the prevailing wind. Long
pipes are attached as chimneys to every other vent so clean
air is drawn through the bottom of the kiln and smoke is allowed
to escape.
Complete
carbonisation turns the smoke from the chimneys blue,. This
is a crucial stage. The kiln must be sealed immediately and
all air inlets and outlets be blocked to suffocate the fire,
which stops the charcoal from burning completely and turning
to ash. The kiln is left to cool for 24 hours before the lid
is removed, and the charcoal inside is graded and bagged ready
for sale.
Charcoal has provided
a natural fuel source in Britain ever since man discovered
that new growth sprouts from the stumps of previously felled
trees. In the right conditions, coppice stumps, which are
known as stools, can live indefinitely as long as they are
not overshadowed by larger timber trees that block out the
light. In many Dorset woodlands there are stools that are
up to one thousand years old.
Coppicing adds
value to timber which, in Britain, otherwise has little or
no market value. It is an unusual example of sustainability
in action, since it creates a richly biodiverse habitat. Jim
became interested in coppicing while he was working for a
local thatcher. When a local estate needed some woodland cleared,
Jim jumped at the chance and enrolled on a course with the
Green Wood Trust, a charity that promotes the traditional
management of broadleaved woodland. The trust runs 40 courses
a year teaching traditional craft and coppice management from
its base near Ironbridge in Shropshire. An apt location: during
the 18th and 19th centuries coppiced woodlands in the area
provided charcoal for iron ore smelting, and the industrial
revolution was born.
Since
making his first charcoal in a converted oil drum in the ‘90s,
Jim has expanded and now has three mobile kilns. The work
is good for local employment as well as the environment. Most
of Jim’s charcoal is produced within a 15-mile radius
of Sturminster Newton, he employs two part-time assistants
and also works with a local forester. As well as garages,
shops and camp sites, there are unusual orders. Jim recently
supplied charcoal powder to be used for soap. He also provides
local artists with willow charcoal. ‘I have had a great
response, especially from artists who want to create local
scenes using local materials,’ he says. ‘People
just can’t seem to get enough of it.’
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