| Britons
have come to love barbecuing. The nation’s desire for
a side-dish of fresh air is now so popular that collectively
we burn upwards of 40,000 tonnes of charcoal each year. Such
is the scale of our atavistic urge to eat outdoors that charcoal
with a wholesale worth of £20 million goes up in smoke
annually.
The
downside for our rural economy is that the lion's share of
the charcoal is imported. But while this sum only just dents
the UK's balance of payments, the extraction of timber -the
raw material for charcoal- is, in some instances, crippling
remote and fragile wildlife habitats.
Huge
volumes of charcoal wood are cut in already endangered tropical
forests in south-east Asia and south America, while mangrove
swamps can also come under pressure from timber extraction.
In the past 20 years, about half of the earth's mangrove swamps
have been destroyed. To make matters worse, their loss is
also linked to coral reef destruction. To add to this tale
of woe, there are new fears over the removal of cheap charcoal
lumber from some west African forests.
Not
all the imported charcoal we burn is the product of short-sighted
exploitation. Far from it. But a great deal is. Regrettably,
too many punters shambling up the high street are oblivious
to the existence of bad practice. While for other, more aware,
shoppers, the assortment of brands and packaging, coming in
all shapes and sizes, makes it difficult to discover which
charcoal is the best buy environmentally.
Very
few, however, put conscience before the delights of a chargrilled
chop. But some do, and their concern provides a welcome shot
in the arm for British craftsmen who claim a solution lies
close to home. And it's a solution that would at the same
time revitalise the ancient woodland skill of charcoal burning
in this country. The answer- cook with British charcoal.
Jim
Bettle, who runs The Dorset Charcoal Company, is one of about
300 charcoal burners who is making sure that we have the opportunity
to pick up a bag of local charcoal.
"Charcoal
is a worthwhile way of increasing the return from otherwise
low-value wood.
I've been charcoal burning since about 1996, working in conjunction
with an independent forestry advisor," he says. Before
that, he was involved in other rural trades, including thatching.
Operating
with his five circular metal kilns, in about a 15-mile radius
of his base near Wimborne, he will have at least three kilns
on the go for up to nine months of the year. In winter, short
days and a lower charcoal yield put a stop to business.
Traditionally,
the stack was built only of wood, heaped with soil. Now Jim's
kilns are of steel, fabricated to be transported on a trailer.
"There's no money in taking the wood to the kiln. I have
to set up in the wood, convert it into charcoal in situ and
then extract it."
Each
kiln -akin to a big cylindrical drum with a removable lid
-sits on eight separate rectangular feet, each about a foot
long.
"The proper name for them is ports," says Jim.
Pipe
chimneys fit alternately into four of the ports to allow the
smoke to escape. While the four ports without a chimney funnel
in the air, soil is used to bank up and seal the gap between
the ports.
Stacking
the kiln is the big job. First, wood is laid to channel the
air from the ports in to the heart of the kiln.
"Then, I build a raft of wood on top. I work in a circular
fashion, starting in the middle with the thickest wood and,
as I work outwards, start to introduce the thinner stuff,"
says Jim.
All
English charcoal burners use hardwood - not resinous soft
woods -the principle being that a good firewood log will make
good charcoal."
Historically,
different charcoal woods had different functions. Alder was
once the wood of choice for inclusion in gunpowder. During
the Napoleonic Wars, the 855 tons of gunpowder made each year
by The Royal Gunpowder Factory at Waltharn Abbey, Essex, held
about 15 per cent charcoal, which required about 400 acres
of alder- wood coppice to support production. An acreage considered
by historian Oliver Rackharn as surprisingly little to fuel
a world war.
Jim
charcoals a lot of ash, oak, beech and sycamore. Some is from
overstood coppice, some is thinnings and even tops go in.
"Once
the kiln is full, I remove the chimney, leaving a hole down
through the stack. I then tip a brazier -or bucket -of fire
down the hole to ignite a pile of charcoal at the bottom.
This gets the whole lot roaring."
The
circular, slightly domed, metal lid goes on, but is propped
up for about half an hour. When the fire has spread within
the kiln, the lid is then lowered. Final sealing with soil
is done and the four chimneys are put in place.
So
what dark secrets lie within?
"It
is important to realise the wood is not burning as such. The
heat from the timber, sacrificed initially to get it going,
is driving out moisture as well as oils in the wood. It is
this wood gas, which ignites at the top of the kiln, that
carbonises the stack. The heat travels downwards from underneath
the lid."
How
long the kiln is left to burn depends on the species and how
seasoned it is.
“As
a rule of thumb, it’s about 14 to 16 hours. Inside the
temperature rises to more than 350ºC.
"The
last few hours are critical. It's now especially important
to monitor the colour of the smoke. While it's chuffing away
white, you know you are still burning off gas. But when the
smoke turns blue, you know charcoal is getting burned; the
smell alters, too. Then it is time to shut down the kiln pretty
quickly. Get it wrong and you’ll end up with a pile
of ash.
"I’ll
work round them, shutting off the air with soil, perhaps leaving
a single chimney for 10 to 15 minutes to get all the smoke
out. Once extinguished, it will cool in 24 hours. When you
take the lid off, the wood looks exactly the same, except
it is now 90 per cent carbon.”
Imported
stuff, says Jim, has a maximum carbon content of only 60 per
cent, thus the barbecue produces more flame, which singes
rather cooks the meat. Likewise, the firelighters and lighter
fuel you have to use to get it going because of its lower
carbon level can taint food. British charcoal, with its higher
carbon level, needs only paper as an accelerant for lighting.
It also reaches cooking temperature faster.
"The
charcoal is then seasoned in the air for a few hours -to make
sure no re-ignition is possible -before bagging and grading
by hand, says Jim. "If the rain gets at the charcoal
at this stage, it has to be dried on sheets."
The
smallest pieces are sieved to remove dust. The result is that
of the one and half tons of wood that went into the kiln,
a quarter of a ton of charcoal comes out.
Arguably,
it is the oldest refined industrial fuel in the world, in
use, perhaps, as long ago as 5,500BC for smelting copper.
Today, the majority of The Dorset Charcoal Company's output
is for the barbecue, though a fraction goes for art, horticulture,
soap, filtration and even old-style building mortar. A 3kg
bag for the barbecue costs about £4.
Jim
is still building his business. But would he, too, seek to
expand into overseas markets like his competition? "I'm
not averse to the odd run to London, but I do believe in local
to local. Though some charcoal has an environmental stamp,
I wonder how it can be when it has travelled so far."
British
charcoal- ideal with British meat in the great British summer.
.
For
further information, contact The Dorset Charcoal Company,
tel (01258) 858064, or visit www.dorsetcharcoal.co.uk
Also worth trying is the BioRegional Development Group, which
supplies UK-made charcoal to B&Q. For further information,
tel (020) 8404 2300 |